Hard Case Crime
Stephen King and me, we go way back. My aunts read practically everything he wrote, and they’d leave their sloppy seconds behind at the cottage for the next vacationer to enjoy. I was a voracious reader back then, a habit that simmered down a few years ago and has only been recently reignited. I’m not nearly as interested in King as I used to be, though that isn’t really his fault. He’s simply entered that category of writers, like Ray Bradbury, whose career I can admire but who just doesn’t capture my interest like he used to. Despite this, King still has the ability to surprise me, if not in content or style then in format.
I was in the checkout line at Chapters when I saw King’s name on a slim paperback with a lurid cover. It was a title I had never heard before, which, despite my current ambivalence to his work, seemed unlikely. How had one of Stephen King’s novels slipped past my notice without the usual hype? The title of the book was The Colorado Kid, a part of the Hard Case Crime imprint.
Hard Case Crime is a wonderful throwback to the days of mid-century pulp fiction; brutal little tales of doomed little men and the beautiful dames that lead them astray. Everything about the presentation of these books is perfect. The two I have before me are each around 200 pages in length with lovely painted covers reminiscent of the great paperback artists of yesteryear. In fact, the legendary Robert McGinnis contributes a cover to Little Girl Lost, a title I plan on picking up for the cover alone. The stories themselves range from new tales by renowned authors of today to reprints of the long-lost crime classics that inspired them. Unlike so many similar undertakings I’ve seen over the years, the folk at Hard Case seem to have all their bases covered. If you like your fiction hard-boiled, I can’t recommend them highly enough.
And while I can’t say that I wouldn’t have come across this series eventually without his help, I’d like to give a tip of the hat to King for helping me along.


